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Admission Test GRE-Verbal Exam Syllabus Topics:

Admission Test Section One : Verbal Sample Questions:

1. DECREE : INFORM ::

A) fascinate : interest
B) gallop : canter
C) resign : quit
D) endure : persist
E) shout : whisper

2. The village of Vestmannaeyjar, in the far northern country of Iceland, is as bright and clean and up-to-date
as any American or Canadian suburb. It is located on the island of Heimaey, just off the mainland. One
January night in 1973, however, householders were shocked from their sleep. In some backyards red-hot
liquid was spurting from the ground.
Flaming "skyrockets" shot up and over the houses. The island's volcano, Helgafell, silent for seven
thousand years, was violently erupting! Luckily, the island's fishing fleet was in port, and within twenty-four
hours almost everyone was ferried to the mainland. But then the agony of the island began in earnest. As
in a nightmare, fountains of burning lava spurted three hundred feet high. Black, baseball-size cinders
rained down. An evilsmelling, eye-burning, throat-searing cloud of smoke and gas erupted into the air,
and a river of lava flowed down the mountain. The constant shriek of escaping steam was punctuated by
ear-splitting explosions. As time went on, the once pleasant village of Vestmannaeyjar took on a weird
aspect. Its street lamps still burning against the long Arctic night, the town lay under a thick blanket of
cinders. All that could be seen above the ten-foot black drifts were the tips of street signs. Some houses
had collapsed under the weight of cinders; others had burst into flames as the heat ignited their oil storage
tanks. Lighting the whole lurid scene, fire continued to shoot from the mouth of the looming volcano. The
eruption continued for six months. Scientists and reporters arrived from around the world to observe the
awesome natural event. But the town did not die that easily. In July, when the eruption ceased, the people
of Heimaey Island returned to assess the chances of rebuilding their homes and lives. They found tons of
ash covering the ground. The Icelanders are a tough people, however, accustomed to the strange and
violent nature of their Arctic land. They dug out their homes. They even used the cinders to build new
roads and airport runways. Now the new homes of Heimaey are warmed from water pipes heated by
molten lava.
This liquid was coming from the -

A) mountains
B) sky
C) ocean
D) sea
E) ground

3. Victorian poetess Christina Rossetti's potent sensual imagery compelled Edmond Gosse, perhaps the
most influential literary critic in late Victorian England, to observe that she "does not shrink from strong
delineation of the pleasures of life even when denouncing them." In the face of Rossetti's virtual
canonization by critics at the end of the nineteenth century, however, Virginia Woolf ignores her apparent
conservatism, instead seeing in her curiosity value and a model of artistic purity and integrity for women
writers. In 1930, the centenary of Rossetti's birth,Woolf identified her as "one of Shakespeare's more
recent sisters" whose life had been reclusively Victorian but whose achievement as an artist was enduring.
Woolf remembers Rossetti for her four volumes of explosively original poems loaded with vivid images
and dense emotional energy. "A Birthday," for instance, is no typical Victorian poem and is certainly unlike
predictable works of the era's best known women poets. Rossetti's most famous poem, "Goblin Market,"
bridges the space between simplistic fairy tale and complex adult allegory-at once Christian,
psychological, and profeminist. Like many of Rossetti's works, it is extraordinarily original and unorthodox
in form. Its subject matter is radical and therefore risky for a Victorian poetess because it implies
castigation of an economic (and even marital) marketplace dominated by men, whose motives are, at best,
suspect. Its Christian allusions are obvious but grounded in opulent images whose lushness borders on
the erotic. From Rossetti's work emerge not only emotional force, artistic polish, frequently ironic
playfulness, and intellectual vigor but also an intriguing, enigmatic quality. "Winter: My Secret," for
example, combines these traits along with a very high (and un-Victorian) level of poetic selfconsciousness.
"How does one reconcile the aesthetic sensuality of Rossetti's poetry with her repressed, ascetic
lifestyle?" Woolf wondered. That Rossetti did indeed withhold a "secret" both from those intimate with her
and from posterity is Lona Packer's thesis in her 1963 biography of Rossetti. Packer's claim that
Rossetti's was a secret of the heart has since been disproved through the discovery of hundreds of letters
by Rossetti, which reinforce the conventional image of her as pious, scrupulously abstinent, and
semi-reclusive. Yet the passions expressed in her love poems do expose the "secret" at the heart of both
Rossetti's life and art: a willingness to forego worldly pleasures in favor of an aestheticized Christian
version of transcendent fulfillment in heaven. Her sonnet "The World," therefore, becomes pivotal in
understanding Rossetti's literary project as a whole-her rhymes for children, fairy tale narratives, love
poems, and devotional commentaries. The world, for Rossetti, is a fallen place. Her work is pervasively
designed to force upon readers this inescapable Christian truth. The beauty of her poetry must be seen
therefore as an artistic strategy, a means toward a moral end. It can be inferred from the passage that the
author discusses Packer's thesis and its flaws probably to

A) provide a foundation for the author's own theory about Rossetti's life and work
B) reveal the secret to which Rossetti alludes in "Winter: My Secret"
C) call into question the authenticity of recently discovered letters written by Rossetti
D) compare Woolf's understanding of Rossetti with a recent, more enlightened view
E) contrast the sensuality of Rossetti's poetry with the relative starkness of her devotional commentary

4. A certain strain of bacteria called lyngbya majuscula, an ancient ancestor of modern-day algae, is making
a comeback in ocean waters just off the world's most industrialized coastal regions. This primitive bacteria
has survived for nearly three billion years due to a variety of survival mechanisms. It can produce its own
fertilizer by pulling nitrogen out of the air; it relies on a different spectrum of light than algae do, allowing it
to thrive even in deep, murky waters; and when it dies and decays, it releases its own nitrogen and
phosphorous, on which the next generation of lyngbya feeds. Lyngbya emits more than one hundred
different toxins harmful to other ocean life as well as to humans. Commercial fishermen and divers who
come in contact with the bacteria frequently complain of skin rashes and respiratory problems, which can
keep these workers off the job for months at a time. The bacteria further disrupts local economies by
blocking sunlight to sea grasses that attract fish and other sea life. Scientists attribute the modern-day
reappearance of lyngbya, and the resulting problems, chiefly to nitrogen- and phosphorous-rich sewage
partially processed at wastewater treatment plants and pumped into rivers that feed coastal ocean waters.
It can be inferred from the passage that the lyngbya majuscula strain has survived for billions of years
partly because it

A) is threatened by few, if any, natural predators
B) possesses the ability to essentially feed on itself
C) adapts easily to changes in water temperature
D) emits harmful toxins that ward off potential predators
E) does not depend on light for its existence

5. OSSIFIED:

A) decimated
B) grizzled
C) deconstructed
D) excavated
E) wizened

Solutions: